Soung And That Fury :: essays research papers

There are four Compson children, and four chapters in The Sound and the Fury. Each of the three previous chapters has been narrated by one of the Compson children; the only one left is Caddy. Since Caddy is in many ways the most important character in the book, it would be natural to expect Caddy to be the narrator of the fourth section. But instead, Caddy is cut out of the novel completely: this chapter is narrated by a third-person omniscient narrator, and the focus of the section, bewilderingly, is on Dilsey, the Compsons' Negro cook. The end of the novel, and the symbolic ending of the Compson clan, does not occur with a climactic bang, but rather with a kind of fizzling away into insignificance. Jason's loss of the seven thousand dollars--four of which did not belong to him (hence his claim to the sheriff that he had lost three thousand dollars)--and his subsequent, ineffectual chase of Miss Quentin and the man in the red tie are hardly exciting, moving, or tragic events. More important is Dilsey's simple, strong, protective presence, the only thing holding the Compson family together. Dilsey's simple piety enables her to love Benjy and feel unashamed when she takes him to church. Faulkner once called the Compsons "tragic" people and Dilsey a "good" person. This contrast sheds light on the roles of the characters throughout the novel. Dilsey is not obsessed with the passage of time, and is not overcome by the chaos of experience in the same way as the "tragic" characters. Rather, she simply endures through happiness and sadness with the same incorruptible faith and the same will to protect those she cares about. For just a split second at the end of the novel we are taken back into the mind of Benjy,

All About Kesha

Singer, songwriter. Born Kesha Rose Sebert on March 1, 1987, in Los Angeles, California. She was exposed to music at an early age through her mother Pebe, a songwriter. Her mother's biggest songwriting success was â€Å"Old Fames Can't Hold a Candle to You,† which was a hit for Joe Sun and Dolly Parton. The first few years of Kesha's life were a struggle for her family. Her mother had difficulty earning enough to support Kesha and her older brother. â€Å"We were on welfare and food stamps,† the artist explained on her website. â€Å"One of my first memories is my mom telling me, ‘If you want something, just take it. † When she was 4, Kesha moved to Nashville with her family, where her mother had landed a songwriting contract. Sometimes tagging along with her mother, Kesha spent a lot of time in recording studios during her early teens. Her mother encouraged her interest in singing, allowing Kesha to work on some of her song demos. Kesha also went to a music school, where she learned about songwriting. Deep in the heart of the country music scene, she was inspired by the likes of Johnny Cash and Patsy Cline. At 17, Kesha left high school to pursue a music career. She changed her name to Ke$ha and moved to Los Angeles to work with producer Dr. Luke, who had worked on hit singles for Katy Perry and Kelly Clarkson among others. â€Å"I thought her voice was distinctive, and I fell in love with her personality,† Dr. Luke explained to Entertainment Weekly. â€Å"She had the same sass and irreverence she has now. † Ke$ha was determined to break into the business. According to one story, she paid off a gardener to get inside music legend Prince's house to leave one of her demos for him. She landed a few gigs as a back-up vocalist as well, performing on songs by Britney Spears and Paris Hilton. But her big break came from an uncredited and unpaid cameo on rapper Flo Rida's 2009 No. hit â€Å"Right Round. † She told Allure magazine that she wasn't upset about not receiving any payment for the song. â€Å"You have to pay your dues,† she explained. Soon after her work with Flo Rida, Ke$ha landed a record contact with RCA. She released her first single, â€Å"Tik Tok,† later that year. The party anthem developed quite a following, soon becoming one of the most downloaded songs in America, and then reaching the top of the Billboard pop charts in January 2010. Because she has attracted many young fans, Ke$ha has been criticized for some of her lyrics, especially those ocused on drinking and alcohol. â€Å"I'm not a babysitter,† the singer said. â€Å"It's their parents' responsibility to take care of them. † For Ke$ha, her life provides much of the inspiration for her songs. â€Å"I'll go out with my friends and get rowdy . . . I'm not sorry, and I will write about it. † Her debut album, Animal, reached the top of the charts after its release in January 2010. In addition to â€Å"Tik Tok,† Ke$ha has scored two more Top 10 hits: â€Å"Blah B lah Blah† and â€Å"Your Love Is My Drug. † Her first headlining tour will begin this spring. What me and MOST people think of Ke$ha Ke$ha is very different yeah its true but its good. If she wasn’t so different she probably would not be where she is now. She insires a lot of people to be themselves and free. Some may think this is bad but its not it just how you take it small, moderate, or, extreme. She is very original and unique she captures up beat and catchy songs that anyone would like. She is also not one to make up things and act like someone she is not. There is no point in pretending to be someone eles. Because being you is something very important in making you, well†¦ you.

A Comprehensive Assessment Of Economic Inequality And...

Martin Gilens provides a comprehensive assessment of the economic inequality and political power in America. He explores on how the affluence of politicians influences the political setting of the country. According to the author, political equality is considered as the philosophy of democracy. Due to the inequalities that exist among the citizens regarding information, social and political affairs, it would be impractical to anticipate equal influence over policy making. Nature and the degree of representative inequalities depict the extent of democracy in a particular society. The author points out that when the inequalities in the political influence intensify, democracy shifts into oligarchy, whereby the wealthy few rule the society.†¦show more content†¦The article pinpoints the fact that it is difficult to disentangle the personal preferences of the Congressional members from influences that could affect their behaviors in decision-making. There is no reliable techniqu e of measuring the personal preferences of the representatives that are unaffected by the demands presented by their constituents. Various scholars who have analyzed this scenario have made efforts to assess the roles that are played by individual preferences through identifying some individual characteristics that are related to the interests and preferences of the representative. For instance, the personal wealth of the member might be linked with their economic policy preferences, and the use of tobacco by the member may be linked to their tobacco legislation preferences. Gilens also carried research on the professional histories of the representatives before their entrance to the Congress. Unlike the previous assessment that the author had carried out about the economic status, he found out that the histories of the members are related to their Congressional voting records. Gilens also finds significant differences between the representatives and most of the conformist professions. The author attributes the differences to the types of districts or the states that the authors were elected from instead of any independent influence of their professional backgrounds. The article is further supplemented by